raia's blog

tokyo!

Howdy, it's been a while since I last wrote. I wish I could say I was busy with work (I never am) but what has rather occupied my free time these past few weeks was creating a detailed itinerary for my Tokyo trip on November. Yes, my priorities are all twisted but I'll do anything for a rush of dopamine these days. The nights I used to spend writing and tinkering with this blog have been spent piecing together a week-long itinerary puzzle, with Tokyo travelogs playing in the background. Creating a Japan itinerary is one of my greatest pleasures in life, and I would monetize it in a heartbeat if I knew the best way to do it.

A screenshot of the Bear app showing a list of notes, specifically variations of 'Japan w Friends'
Is it autism or being a Capricorn?

But enough about the trip. I finally found time to visit the Tokyo Before / After exhibition at Estancia Mall, which runs until July 31. It features photographs by Nobuyoshi Araki, Daido Moriyama, Mika Ninagawa, Shinya Arimoto, Natsumi Hayashi and more.

A hand holding a small guidebook for an exhibit titled Tokyo Before/After. In the background is a hallway of framed black-and-white photographs.

If you're a fan of film photography and the physicality of the printing process, you're in for a real treat. Seeing silver gelatin prints by Araki and C-prints by Mika Ninagawa up close is indescribable. I highly recommend experiencing it for yourself.

A black and white photograph showing a dilapidated old house with a snail crossing the road in the foreground. The snail looks oddly huge in the photo.
A black and white photograph of a Japanese woman from her shoulders up, with striking features and collarbones that look like sand dunes. She is topless and her hair is in a messy geisha bun, wisps of hair falling to her face.
A photo of two women in rabbit ears and heavy makeup looking into the camera. One woman is winking and the other is feigning surprise, hand covering her mouth. They are in a room lit up with colorful neon lights.

The exhibit also introduced me to Shintaro Sato, whose panoramic shots of Tokyo in his series Risen in The East were nothing short of spectacular. Unfortunately his panoramas were prohibited from picture-taking, so I couldn't share them here. One particularly striking photo was of a hanami, wherein cherry blossom trees create a vivid pink canopy over a crowded park. I could stare at it for hours. No wonder his works had a no-photos-allowed sign – a phone or computer screen won't do them justice.

A gif of a cherry blossom tree with its petals flying in the wind.

A quick turn finds you invading the personal space of random strangers, all thanks to Shinya Arimoto's street photography. While I've always held street photography in high regard despite its controversial nature, I do believe that not all street photographers are the same and some deserve getting their teeth knocked out. Shinya Arimoto belongs to the blessed few whose street work passes my imaginary criteria. Street photography is here to stay, and sadly no amount of crybabies on Reddit or Instagram can do anything about it.

A wall of black-and-white framed photos of street scenes, mostly portraits of people in public.
Two framed black and white photographs of street scenes, one is an array of logo signages and the other is a huddled group of men and police in a possible fight.

The exhibit ends with Natsumi Hayashi's whimsical levitating self-portraits, which gained popularity through daily posting from her blog (take notes, everyone). I've always admired the Cindy Sherman types, and the physicality of Natsumi Hayashi's self-portraits add another layer of inspiration. Such photos make you gape in awe and wonder how the fuck does she do it?

A young woman is in the kitchen, levitating in the air as she grabs something from the cupboard. A tabby cat is staring at her on the side.
A young woman dressed nicely in a skirt levitates out of the coach of a train, posing as if she's ready for a run. A train usher stares at her in the foreground.
A pair of legs wearing knee-high boots is levitating off the ground, positioned diagonally across the frame. In front of her are several safety barricades and cones.

Needless to say, seeing Natsumi Hayashi's work in person made me get up off my ass and think of a personal photography project. I was reminded of this interview with Patrick Tsai of Talking Barnacles fame:

'What is your take on working on a single image versus a series? What makes a photo essay or series effective? My first big project called “My Little Dead Dick

Make sure to visit Tokyo Before / After before it gets shipped to the next country!

While the post title is as generic as can be, I'm actually referencing this anthology film that I'm long overdue for a rewatch.

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#japan #photography #show and tell #tokyo #travel